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by Thomas Millroth
"Since the
tubes of paint used by artists are manufactured and readymade products
we must conclude that all paintings in the world are 'readymaides
aided' and also works of assemblage".
Marcel Duchamp, 1961
Jacob Dahlgren
is a painter. It is possible to state this without presuming anything
about his use of any one material. It would not be unreasonable
to class the work as sculpture or installation. It can be 3 dimensional
and usually has a relationship to the architecture of the space
in which it is shown. However Jacob Dahlgren is a painter beacouse
the work references a particular genealogy within the history of
art, that belonging to abstract painting.
There is an
explicit relationship to the utopian discourses of early modernists,
like Signac, Kandinsky or Mondrian, for whom abstraction was to
be a new universal language, with colour as its basis. Jacob Dahlgren
plays with this established visual language but with a fundamental
difference, in that he approaches colour as readymade. Using manufactured
products from plastic pegs, to brightly dyed reels of cotton, to
household paint, to artists "professional quality" acrylic paint.
Colour is as it comes out of the factory, in the order that the
pegs were placed in their packet, or selected from a t-shirt or
a colour chart.
It is one of
the ironies of the twentieth century that the language of abstraction,
post the (arguable) failure of the avant-garde, has survived in
the world of design and in the appearance of manufactured goods.
The first abstract painters sought to push colour into the realms
of meaning through the link to social revolution or to the spiritual.
But in our pluralistic, post-hierarchical visual culture there is
a striking similarity between modernist painting and contemporary
product design. By refusing the conventional qualitative distinctions
in his choice of materials Jacob Dahlgren examines the contemporary
world for signs of abstraction. Like a connoisseur when it comes
to recognising Barnett Newman in cheap furniture, an Albers on our
plastic mug, or a Baerling in the wallpaper.
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